Boldrini visits autobiographies of others, or ‘heterobiographies,’that are distinguished by. .
Boldrini visits autobiographies of others, or ‘heterobiographies,’that are distinguished by the acknowledgment in their fictional structure and ideological premises of the operation involved in assuming another’s voice, of the historical and philosophical gap inherent in the ‘double I’ they stage. This book studies the tension between historicity and the desire to free the subject from historical necessity that defines novels that are presented as if they were the autobiographies of historical personages, novels that gesture towards historical factuality and literary fictionality.
Routledge Studies in Twentieth-Century Literature. From Joyce to Rushdie, Modernism to Food Writing, Routledge Studies in Twentieth Century Literature looks at both the literature and culture of the 20th century. Considering literature alongside religion, popular culture, race, gender, ecology, travel, class, space, and other subjects, titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics. Learn mor. ubject Categories.
Autobiographies of Others book. Goodreads helps you keep track of books you want to read. Start by marking Autobiographies of Others: Historical Subjects and Literary Fiction as Want to Read: Want to Read saving. Start by marking Autobiographies of Others: Historical Subjects and Literary Fiction as Want to Read: Want to Read savin. ant to Read.
Important contributions to literary understanding have meanwhile been drawn from .
Important contributions to literary understanding have meanwhile been drawn from anthropology, linguistics, philosophy, and psychoanalysis. Most of the issues debated in 20th-century criticism appear to be strictly empirical, even technical, in nature. As literature’s place in society has become more problematic and peripheral, and as humanistic education has grown into a virtual industry with a large group of professionals serving as one another’s judges, criticism has evolved into a complex discipline, increasingly refined in its procedures but often lacking a sense of contact with the general social will.
The history of literature is the historical development of writings in prose or poetry that attempt to provide entertainment, enlightenment, or instruction to the rver, as well as the development of the literary techniques used i.
The history of literature is the historical development of writings in prose or poetry that attempt to provide entertainment, enlightenment, or instruction to the rver, as well as the development of the literary techniques used in the communication of these pieces. Not all writings constitute literature. Some recorded materials, such as compilations of data (. a check register) are not considered literature, and this article relates only to the evolution of the works defined above.
Электронная книга "Autobiographies of Others: Historical Subjects and Literary Fiction", Lucia Boldrini. Эту книгу можно прочитать в Google Play Книгах на компьютере, а также на устройствах Android и iOS. Выделяйте текст, добавляйте закладки и делайте заметки, скачав книгу "Autobiographies of Others: Historical Subjects and Literary Fiction" для чтения в офлайн-режиме.
Lucia Boldrini is Professor of English and Comparative Literature at.Autobiographies of Others: Historical Subjects and Literary Fiction. ISBN 978-0-415-50737-0.
Lucia Boldrini is Professor of English and Comparative Literature at Goldsmiths. Lucia Boldrini has extensive teaching and examining experience at both undergraduate and postgraduate level, in seminars and lectures, on modules she has devised as well as on colleagues’ modules as part of a team.
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Twilight of Dawn: Studies in English Literature in Transition. Terminal Identity: The Virtual Subject in Postmodern Science Fiction. The Autobiography of the Working Class: An Annotated Critical Bibliography. Tucson: Arizona State University Press, 1987. Durham, NC: Duke University Press, 1993.
Literature of the 20th century refers to world literature produced during the 20th century (1901 to 2000). In terms of the Euro-American tradition, the main periods are captured in the bipartite division, Modernist literature and Postmodern literature, flowering from roughly 1900 to 1940 and 1960 to 1990 respectively, divided, as a rule of thumb, by World War II. The somewhat malleable term of contemporary literature is usually applied with a post-1960 cutoff point.
In this volume, Boldrini examines "heterobiography"―the first-person fictional account of a historic life. Boldrini shows that this mode is widely employed to reflect critically on the historical and philosophical understanding of the human; on individual identity; and on the power relationships that define the subject. In such texts, the grammatical first person becomes the site of an encounter, a stage where the relationships between historical, fictional and authorial subjectivities are played out and explored in the ‘double I’ of author and narrating historical character, of fictional narrator and historical person. Boldrini considers the ethical implications of assuming another’s first-person voice, and the fraught issue of authorial responsibility. Constructions of the body are examined in relation to the material evidence of the subject’s existence. Texts studied include Malouf’s An Imaginary Life, Carey’s True History of the Kelly Gang, Ondaatje’s The Collected Works of Billy the Kid, Adair’s The Death of the Author, Banti’s Artemisia, Vázquez Montalbán’s Autobiografía del general Franco. Also discussed, among others: Yourcenar’s Memoirs of Hadrian, Tabucchi’s The Last Three Days of Fernando Pessoa, Giménez-Bartlett’s Una habitación ajena (A Room of Someone Else’s).
Author: Lucia Boldrini
Category: Bio and Memoris
Subcategory: Arts & Literature
Publisher: Routledge; 1 edition (June 25, 2012)
Pages: 242 pages
ePUB size: 1134 kb
FB2 size: 1459 kb
Other Formats: lrf txt mbr rtf